When I was between fifth and sixth grade (this places our story in 1993), my family moved a short distance from northern Illinois to southern Wisconsin. I spent the summer visiting an empty, rural lot we had purchased and watching a house spring out of the ground as a crew of friendly carpenters built the thing. That summer, we were between permanent residences, so I lived in a rented house, and, for a short time, a hotel that had free donuts every morning.
The rental house' owners cleared out the garage before we moved in and among the "trash" left by the curb during the purge were three bicycles -- a crummy mountain bike and two BMX bikes. I was probably had outgrown the Huffy coaster brake-equipped BMX bike that we had purchased from Toys 'R' Us years earlier, so I rescued the bikes and combined the parts that I thought looked cool into one functional bicycle.
I had no idea what I was doing. I remember distinctly that the final bike had black Skyway Tuff II mag wheels (the plastic ones with five spokes), and components with esoteric brands like ODI, Sugino, Sakae, and Dominator. The handlebar crossbar was shaped with a downward brend and had horizontal ribs around it, evidence that I could stand on them at some point to do some sort of stunt. It was all black with silver and chrome components, and no brakes.
The frame had no markings on it but I later discovered that is was a late-model Schwinn Predator, a small, entry-level BMX race bike. We had to take it to a bike shop to have some generic brakes installed and have the hubs adjusted and that was that. It rolled, it stopped, what else could a kid possibly want from a bicycle?
Everything, it turns out. Over the next four years, that bike was "upgraded" with every dollar I could squeeze out of my parents by doing chores or waiting for a few birthday checks to roll in. It ended up getting an Gyro, Hollow Bullet pegs, and Pitbull brakes from Odyssey, Peregrine Silver handlebar (Peregrine stuff was gorgeous, by the way), and some DK aluminum wheels (biggest improvement ever). Every time I scraped together enough cash from my first job at Culver's or mowed the lawn a dozen times to buy one of these items, my mom would mail a check to Dan's Competition in Indiana. The anticipation of waiting for the brown box on the doorstep was brutal. I never knew what to do with the XL sized white Dan's t-shirt they sent me with the order, though.
Upgrading and maintaining an early-'90s dumpster-dove BMX bike taught me many valuable lessons:
- Improvising with tools: an Ashtabula bottom bracket can be adjusted using a flat screwdriver and a slip-joint plier. Hub cone nuts can be tuned without a cone wrench if you're really determined. A 1/4 inch allen key is NOT a substitute for a 6 mm.
- Skyway rims don't hold a tire at pressure much above 40 psi. In fact, the tire will slip off the rim and explode violently, usually after you have ridden several miles from home.
- You can legally work in Wisconsin at the age of 14. The only reason I got a job at that age was to buy bike parts that sucked less than the ones I had.
- Riding a bike with a bent handlebar, axles, pedals, and cranks is not that bad once you get used to it.
- A heavy bike is only as heavy as you perception of weight allows based on comparable experience. It's best not to ride other kids' bikes, lest you learn what a tank yours is.
- Making brakes work at all, much less well, on a BMX bike with a Gryo and Skyway mags is next-level bike mechanic kung-fu. Doing that with flimsy steel side-pull brakes is something else. My brakes always sucked.
- Blaming your lack of skill on your equipment is a time-honored tradition but never gets in the way of fun.
The final lesson I learned is related to the defeat of the DIY spirit and succumbing to consumer mentality. Wisconsin winters are quite cold, but living in a house with a full-sized basement with concrete floors provided a year-round riding option for me.
I was practicing an advanced (ha!) move called an "endo," in which you apply the front brake, force the front wheel to stop, thrust your weight forward and lift your rear wheel, pausing for a moment on just your front wheel, then pivot back down to two wheels and ride away. Or something. This is not that hard of a trick is you have fully-operational brakes, but the condition of my brakes required a fistful of brake lever and every ounce of my scrawny body to be thrust forward violently if I was to have any chance of getting the bike to stop. Most of the time, the brake failed to have much effect on the front wheel and I just slowed down.
At one point, my bike decided it had had enough of this nonsense and my front dropout (the thin plate where the front axle is bolted on) snapped clean off my fork. I felt a crunch and my bike stopped moving. The bike was suddenly and completely unrideable as there was no longer a way to secure the front wheel onto it.
This was quite mortifying to me because forks are expensive for a 13 year-olds budget (Craigslist wouldn't exist for another decade at least). My dad talked about having it welding back on, but the cost of doing so and the risk of it just breaking again left us shopping for a new fork.
For the first time in my life, I committed to buying something really nice- a Kore Flatland fork. I had probably seen images of this fork Ride BMX Magazine's infamous Chase Gouin interview, along with his Morales frame and Graveyard components, things after which I also pined and eventually purchased. It was heavy, it was cool-looking, and it would very likely outlast everything else on the bike.
This was another blow to my notion that everything should be fixed rather than replaced, but the first in a series of revelations that new stuff is better than old stuff, most of the time. I think it cost about $75 and totally out-classed everything else I had and for the first time, I felt good about buying something new.
Just like everything, this fork was built to outlast its usefulness as the march of technology would make 1" threaded forks literally worthless. Standards changed and this fork would become of no practical use. I sold it for almost nothing around 2004 (had it lying in a box all those years) and just found it listed for close to $200 on eBay for its "vintage" appeal. This also cemented in my mind the ephemeral nature of every purchase I would make, and the implicit compromise made when I buy into some new idea. That will be the topic of another day.